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A unique interactive resource designed to bring dance to the Web and make it accessible to everyone. Dover Publications has graciously allowed the use of 170 terms from the Technical Manual and Dictionary of Classical Ballet, which are then demonstrated by ABT Company dancers.
With nearly 2,000 articles written by scholars from fifty countries, the Encyclopedia covers the full spectrum of dance—theatrical, ritual, dance-drama, folk, traditional, ethnic, and social dance. Cultural and national overviews are accompanied by entries on dance forms, music and costumes, performances, and biographies of dancers and choreographers.
Here’s what you need to know about the Hula. It’s an expressive traditional dance form originating from the Hawaii Islands. It comes together from the basic foot steps, circular hip movements and gestures symbolizing natural events and mythological subjects - so it’s basically a dance that tells a story. The other fun thing about it is that it’s really easy to learn, and it can also contribute to a healthy lifestyle, being a good and varied physical exercise.
With over 2,600 entries, the second edition of The Oxford Dictionary of Dance is a unique single volume reference on all aspects of dance performance written by two leading dance writers, Debra Craine and Judith Mackrell. The work covers all aspects of the diverse dance world from classical ballet to modern, from flamenco to hip-hop, from tap to South Asian dance forms and includes detailed entries on technical terms, steps, styles, works and countries,
This database package includes online access to Grove Music Online, the largest and most comprehensive music encyclopedia. Grove Music Online includes articles related to ballet, modern, jazz, and folk dances in the context of their relationship to musical styles and theatrical works.
As the official reference manual of the Dance Masters of America, this tap dance resource contains more than 1,500 up-to-date entries about every facet of this uniquely American art form. It provides a history of tap dance as well as the dancers who defined it. This manual also includes a comprehensive dictionary of tap and dance terminology with a special section devoted to teachers.
In this text, contemporary dance/movement therapy is applied to 16 of today's most challenging clinical problems. Illustrated case studies cover physical and sexual abuse, co-dependency and addiction, issues in aging, anxiety and depression, multiple or borderline personality disorders, and disturbed and handicapped adolescents, children and infants. It presents an incorporation of dance therapy with visualization methods, dramatic techniques and the visual arts. It should be of particular interest to dance, movement and drama psychotherapy practitioners.
What can dance movement contribute to psychotherapy? This thoroughly updated edition of Dance Movement Therapy echoes the increased world-wide interest in dance movement therapy and makes a strong contribution to the emerging awareness of the nature of embodiment in psychotherapy. Recent research is incorporated, along with developments in theory and practice, to provide a comprehensive overview of this fast-growing field. Helen Payne brings together contributions from experts in the field to offer the reader a valuable insight into the theory and practice of dance movement therapy. The contributions reflect the breadth of developing approaches, covering subjects including: dance movement therapy with people with dementia group work with people with enduring mental health difficulties transcultural competence in dance movement therapy Freudian thought applied to authentic movement embodiment in dance movement therapy training and practice personal development through dance movement therapy. Dance Movement Therapy will be a valuable resource for anyone who wishes to learn more about the therapeutic use of creative movement and dance. It will be welcomed by students and practitioners in the arts therapies, psychotherapy, counselling and other health and social care professions.
Throughout history and in contemporary times, people worldwide have danced to cope with the stresses of life. But how has dance helped people resist, reduce, and escape stress? What is it about dance that makes it a healing art? What insights can we gain from learning about others' use of dance across cultures and eras? Dancing for Health addresses these questions and explains the cognitive, emotional and physical dimensions of dance in a spectrum of stress management approaches. Designed for anyone interested in health and healing, Dancing for Health offers lessons learned from the experiences of people of different cultures and historical periods, as well as current knowledge, on how to resist, reduce, and dance away stress in the disquieting times of the 21st century.
With a companion website that includes short online film episodes, this book proposes expansive ways of deconstructing and re-constituting sexuality and gender and thus more embodied and ethical ways of 'doing' life, and offers an understanding and critique of embodiment through an integration of performance, psychotherapy and feminist philosophy.
How is the mind expressed through the body in movement? Exploring this question has been the life work of movement educator Bonnie Bainbridge Cohen. Her innovative approach to movement analysis and reeducation, body-mind centering, is the subject of this book of collected essays, interviews, and exercises.
Full text articles in many disciplines. To access JSTOR you may need to login with VPN .
Subject areas include African-American studies, anthropology, Asian studies, business, ecology, economics, education, finance, history, literature, mathematics, philosophy, political science, population studies, sociology, statistics. The University of Rochester Libraries currently subscribes to the following multidisciplinary JSTOR Collections: Arts and Sciences I through XV. JSTOR also packages their content in disciplinary collections; however, the only ones of these that we have licensed are the Biological Sciences segment and the first of the Business collections. For alumni access, see also Alumni Library Gateway.
Full text - articles, ads, pictures - of New York Times (1851 - 2011) & other major papers. Click "More" link for their names.
Atlanta Constitution (1868 - 1984) Atlanta Daily World (1931-2003) Baltimore Afro-American (1893-1988) Baltimore Sun (1837-1992) Boston Globe (1872 - 1985) Chicago Defender (1909-1975) Chicago Tribune (1849 - 1993) Christian Science Monitor (1908 - 2004) Globe and Mail (1844-2014) Irish Times (1859 - 2016) Louisville Courier (1830 - 2000) Los Angeles Times (1881 - 1993) Minneapolis Tribune (1867 - 2001) New York Amsterdam News (1922-1993) New York Times (1851 - 2013) U.S, Northeast Collection (1785 - 2010) Some issues for 1953, 1962-1963, 1965, 1978 were never published due to pressman's strikes. No Sunday issue was published until April 21, 1861. New York Tribune (1841-1962) Pittsburgh Courier (1911-2002) South China Morning Post (1903-1998) Times of India (1838-2008) Wall Street Journal (1889 - 2000) Washington Post (1877 - 2000)
While dance has long been a part of UbuWeb's film & video collection, it begs to have a section of its own. Like the rest of UbuWeb, there is a lot of crossover and perhaps moments of purposely curated eclecticism, hence our rather unorthodox mix of pure, art, and pop dance forms.
UbuWeb Dance is a work in process and will continue to grow, perhaps at a rate faster than the rest of the site. Thus the site will stay in beta mode until it is fully seeded with content. Until then enjoy, but understand that it may be a bumpy ride at times.
UbuWeb Dance is presented in partnership with and is largely curated by Contemporary Dance Video Database
Dance/USA is the national service organization for professional dance, serving a broad cross-section of the dance field. Established in 1982, Dance/USA champions an inclusive and equitable dance field by leading, convening, advocating, and supporting individuals and organizations.
March 2017 -
Dance/USA and Dance Heritage Coalition (DHC) announced the integration of DHC’s preservation, archives, and education programs into Dance/USA. The leaders of these two nonprofit organizations, which share a mission to serve and support the dance field, are enthusiastic about the possibilities for collaboration and expanded services that will be created by this partnership.
Sally Banes has been a preeminent critic and scholar of American contemporary dance, and Before, Between, Beyond spans more than thirty years of her prolific work. Beginning with her first published review and including previously unpublished papers, this collection presents some of her finest works on dance and other artistic forms. It concludes with her most recent research on Geroge Balanchine's dancing elephants. In each piece, Banes's detailed eye and sensual prose strike a rare balance between description, context, and opinion, delineating the American artistic scene with remarkable grace. With contextualizing essays by dance scholars Andrea Harris, Joan Acocella, and Lynn Garafola, this is a compelling, insightful indispensable summation of Banes's critical career.
Writing About Dance guides students through various processes of writing about dance, from the informal (journal writing and free writing) to the formal (critiques, essays, and research papers). When students learn both practical and artistic aspects of writing, they become better critical thinkers and writers as they deepen their understanding of dance technique, dance creativity, and dance as an art form.